Now in its sixth year of existence, the Open GLAM survey has just undergone a significant overhaul. Here’s what has changed. Since Dr Andrea Wallace and I began the Open…
Fresh insight, important updates and new visualisations into the global picture of open access to cultural heritage
Why aggregators matter and how a fresh look at Europeana changed the picture of open access to cultural heritage in Europe
As 2021 draws to a close, how many cultural institutions have adopted open access policies, and how have they done this? Here’s the latest picture.
How many cultural heritage institutions release all or some of their public domain collections open access?
Which licences and rights statements do cultural heritage institutions use to make their digital collections available?
How many cultural heritage institutions make their digital collections available for free reuse? How do they do this, and where is open access most prevalent?