How will the ruling in THJ v Sheridan on copyright and the threshold of originality in UK law affect cultural institutions?
As 2021 draws to a close, how many cultural institutions have adopted open access policies, and how have they done this? Here’s the latest picture.
Emerson’s understanding of landscape and the public commons, and how they relate to museums and open access in the digital realm.
A key principle of Open GLAM is that works in the public domain should remain in the public domain once digitised. However, many museums assert copyright in digital reproductions of public domain artworks. How legally legitimate is this?
Open access at Taiwan’s National Palace Museum