28 Vermeers

What does the Rijksmuseum’s landmark Vermeer exhibition tell us about museums, copyright and digital collections today?

The Geographer, 1669. Johannes Vermeer (1632-1675). Städel Museum, Public Domain Mark.

Vermeer is a major exhibition of the artist’s work at the Rijksmuseum that brings Vermeers from around the world to Amsterdam. A total of twenty eight works, from fourteen institutions, feature in the exhibition. These are helpfully itemised on the Rijksmuseum’s website, alongside a digital display with images of every painting in the show.

For students of copyright, art history and digital cultural heritage, Vermeer is an excellent opportunity to evaluate the exhibited works through the lens of open access. Let’s take a look.

Which Vermeers are in the exhibition? Which institutions do they come from?

ArtworkInstitutionCountry
Girl Interrupted at Her Music, c. 1659–61Frick CollectionU.S.A
Mistress and Maid, c. 1665–67Frick CollectionU.S.A
Officer and Laughing Girl, 1657-58Frick CollectionU.S.A
Girl Reading a Letter at an Open Window, 1657-58Gemäldegalerie Alte MeisterGermany
The Procuress, 1656Gemäldegalerie Alte MeisterGermany
Young Woman Seated at a Virginal, c. 1670‐72Leiden CollectionU.S.A
Diana and her Nymphs, 1655–56MauritshuisNetherlands
Girl with a Pearl Earring, 1664–67MauritshuisNetherlands
View of Delft, 1660-61MauritshuisNetherlands
Allegory of the Catholic Faith, 1670–74Metropolitan Museum of ArtU.S.A
Young Woman with a Lute, 1662–64Metropolitan Museum of ArtU.S.A
The Lacemaker, 1666–68Musée du LouvreFrance
Christ in the House of Mary and Martha, 1654–55National Galleries of ScotlandUnited Kingdom
A Lady Writing, 1664–67National Gallery of Art, Washington U.S.A
Girl with a Flute, 1664–67National Gallery of Art, Washington U.S.A
Girl with the Red Hat, 1664–67National Gallery of Art, Washington U.S.A
Woman Holding a Balance, c. 1662–64National Gallery of Art, Washington U.S.A
Woman Writing a Letter with her Maid, 1670–72National Gallery of IrelandIreland
A Young Woman seated at a Virginal, c. 1670–72National Gallery, London United Kingdom
A Young Woman standing at a Virginal, 1670–72National Gallery, London United Kingdom
Saint Praxedis, 1655National Museum of Western Art, TokyoJapan
The Love Letter, 1669-70RijksmuseumNetherlands
The Milkmaid, 1658-59RijksmuseumNetherlands
View of Houses in Delft, 1658-59RijksmuseumNetherlands
Woman Reading a Letter, 1662-64RijksmuseumNetherlands
The Glass of Wine, c. 1659-61Staatliche Museen zu BerlinGermany
Woman with a Pearl Necklace, c. 1662-64Staatliche Museen zu BerlinGermany
The Geographer, 1669Städel MuseumGermany

Which institutions claim copyright in digital reproductions of their Vermeers? Which institutions don’t, or waive copyright? Which rights statements and licences do they apply?

ArtworkInstitution© claim?Rights statement
Girl Interrupted at Her Music, c. 1659–61Frick CollectionYesIn copyright
Mistress and Maid, c. 1665–67Frick CollectionYesIn copyright
Officer and Laughing Girl, 1657-58Frick CollectionYesIn copyright
Girl Reading a Letter at an Open Window, 1657-58Gemäldegalerie Alte MeisterYesIn copyright
The Procuress, 1656Gemäldegalerie Alte MeisterYesIn copyright
Young Woman Seated at a Virginal, c. 1670‐72Leiden CollectionYesCC BY-NC*
Diana and her Nymphs, 1655–56MauritshuisNoPublic Domain Mark
Girl with a Pearl Earring, 1664–67MauritshuisNoPublic Domain Mark
View of Delft, 1660-61MauritshuisNoPublic Domain Mark
Allegory of the Catholic Faith, 1670–74Metropolitan Museum of ArtNoCC0
Young Woman with a Lute, 1662–64Metropolitan Museum of ArtNoCC0
The Lacemaker, 1666–68Musée du LouvreYesIn copyright
Christ in the House of Mary and Martha, 1654–55National Galleries of ScotlandYesCC BY-NC
A Lady Writing, 1664–67National Gallery of Art, Washington NoCC0
Girl with a Flute, 1664–67National Gallery of Art, Washington NoCC0
Girl with the Red Hat, 1664–67National Gallery of Art, Washington NoCC0
Woman Holding a Balance, c. 1662–64National Gallery of Art, Washington NoCC0
Woman Writing a Letter with her Maid, 1670–72National Gallery of IrelandYesIn copyright
A Young Woman seated at a Virginal, c. 1670–72National Gallery, London YesCC BY-NC-ND
A Young Woman standing at a Virginal, 1670–72National Gallery, London YesCC BY-NC-ND
Saint Praxedis, 1655National Museum of Western Art, TokyoYesIn copyright
The Love Letter, 1669-70RijksmuseumNoCC0
The Milkmaid, 1658-59RijksmuseumNoCC0
View of Houses in Delft, 1658-59RijksmuseumNoCC0
Woman Reading a Letter, 1662-64RijksmuseumNoCC0
The Glass of Wine, c. 1659-61Staatliche Museen zu BerlinYesCC BY-NC-SA
Woman with a Pearl Necklace, c. 1662-64Staatliche Museen zu BerlinYesCC BY-NC-SA
The Geographer, 1669Städel MuseumNoPublic Domain Mark
* Leiden Collection’s website states its images are ‘for research purposes’ only; it does not use the CC BY-NC explicitly but that licence is used here to assist the visualisation shown below. I have contacted Leiden Collection seeking clarification on whether a copyright claim is made in its digital images, or whether their reuse is being restricted by contract law (terms of use).

Let’s see a visualisation of the Vermeer rights statements and licences

Source: Copyright status of artworks in Rijksmuseum ‘Vermeer’ exhibition

Which institutions participating in Vermeer have open access policies? Which ones don’t?

Open accessClosed access
MauritshuisFrick Collection
Metropolitan Museum of ArtGemäldegalerie Alte Meister
National Gallery of Art, WashingtonLeiden Collection
RijksmuseumMusée du Louvre
Städel MuseumNational Gallery, London 
National Gallery of Ireland
National Galleries of Scotland
National Museum of Western Art, Tokyo
Staatliche Museen zu Berlin

In all of the national jurisdictions in which the museums lending to Vermeer are based, copyright protection lasts for 70 years after the death of the creator. Johannes Vermeer died on 15 December 1675 – more than 347 years ago – yet copyright is claimed in digital reproductions of his work by the majority of the institutions involved in the Vermeer exhibition.

Despite the increasing international harmonisation and clarification of the relevant copyright law, and the growth in open access practice (also known as Open GLAM) in the cultural sector, many museums persist in restricting access to images of public domain works by using questionable copyright claims. In this respect, Vermeer is a representative sample of the wider picture today.


To see the raw data upon which this article is based, here is an openly accessible Google Sheet.